Rhythm+and+EA


 * Books and Articles**

Alvarez, Javier. (1989) “Rhythm as Motion Discovered.” //Contemporary Music Review//, 3(1): 203-231.

D’Escrivan, Julio. (1989) “Reflections on the poetics of time in electroacoustic music.” //Contemporary Music Review//, 3(1): 197-201.

Johansson, J. and Molin, B. A. (1990) “[|Computer-Assisted Composition by Interactive Rhythm Transformations].” In //Proceedings of the ICMC// (Glasgow, Scotland), p. 302-304.

Desain, P. and Honing, H. (1991) “[|Tempo Curves Considered Harmful].” In //Proceedings of the ICMC// (Montreal, Canada).

Driesse, A. (1991) “[|Real-Time Tempo Tracking Using Rules to Analyze Rhythmic Qualities].” In //Proceedings of the ICMC// (Montreal, Canada), p. 578-581.

Tanguiane, A. (1991) “[|Criterion of Data Complexity in Rhythm Recognition].” In //Proceedings of the ICMC// (Montreal, Canada), p. 559-562.

Bilmes, J. (1992) “[|A Model for Musical Rhythm].” In //Proceedings of the ICMC// (San Jose, California, USA), p. 207-210.

Rosenthal, D. (1992) “[|Intelligent Rhythm Tracking].” In //Proceedings of the ICMC// (San Jose, California, USA), p. 227-230.

Desain, P. (1992) “[|Can Computer Music Benefit from Cognitive Models of Rhythm Perception]?” In //Proceedings of the ICMC// (San Jose, California, USA), p. 42-45.

McAngus-Todd, N. (1993) “[|Wavelet Analysis of Rhythm in Expressive Musical Performance].” In //Proceedings of the ICMC// (Waseda University, Japan), p. 264-267.

Large, E.W. (1994) “[|The Resonant Dynamics of Beat Tracking and Meter Perception].” In //Proceedings of the ICMC// (DIEM, Danish Institute of Electroacoustic Music, Denmark), p. 90-91.

Parncutt, R. (1994) “[|A Model of Beat Induction Accounting for Perpetual Ambiguity by Continuously Variable Parameters].” In //Proceedings of the ICMC// (DIEM, Danish Institute of Electroacoustic Music, Denmark), p. 83-84.

Horowitz, D. (1994) “[|Generating Rhythms with Genetic Algorithms].” In //Proceedings of the ICMC// (DIEM, Danish Institute of Electroacoustic Music, Denmark), p. 142-143.

Desain, P. and Honing, H. (1994) “[|Foot-tapping: a brief introduction to beat induction].” In //Proceedings of the ICMC// (DIEM, Danish Institute of Electronic Music, Denmark), p. 78-79.

Rosenthal, D., Goto, M. and Muraoka, Y. (1994) “[|Rhythm Tracking Using Multiple Hypotheses].” In //Proceedings of the ICMC// (DIEM, Danish Institute of Electroacoustic Music, Denmark), p. 85-87.

Todd, N. and Lee, C. (1994) “[|An Auditory-Motor Model of Beat Induction].” In //Proceedings of the ICMC// (DIEM, Danish Institute of Electroacoustic Music, Denmark), p. 88-89.

Desain, P. and Honing, H. (1994) “[|Advanced issues in beat induction modeling: syncopation, tempo, timing].” In //Proceedings of the ICMC// (DIEM, Danish Institute of Electroacoustic Music, Denmark), p. 92-94.

Goto, M. and Muraoka, Y. (1995) “[|A Real-Time Beat Tracking System for Audio Signals].” In //Proceedings of the ICMC// (Banff, Alberta, Canada), p. 171-174.

Dobrian, C. (1995) “[|Algorithmic Generation of Temporal Forms: Hierarchical Organization of Stasis and Transition].” In //Proceedings of the ICMC// (Banff, Alberta, Canada), p. 456-459.

Tait, C. (1995) “[|Audio Analysis for Rhythmic Structure].” In //Proceedings of the ICMC// (Banff, Alberta, Canada), p. 590-591.

Smith, L. (1996) “[|Modelling Rhythm Perception by Continuous Time-Frequency Analysis].” In //Proceedings of the ICMC// (Hong Kong, China), p. 392-395.

Desain, P. and Honing, H. (1996) “[|Physical Motion as a Metaphor for Timing in Music: The Final Ritard].” In //Proceedings of the ICMC// (Hong Kong, China), p. 458-460.

Lyon, E. (1997) “[|Rhythmic Rendering].” In //Proceedings of the ICMC// (Aristotle University, Thessaloniki, Greece).

Risset, J-C. (1997) “[|Rhythmic Paradoxes and Illusions: a Musical Illustration].” In //Proceedings of the ICMC// (Aristotle University, Thessaloniki, Greece).

Goto, M. and Muraoka, Y. (1998) “[|An Audio-based Real-time Beat Tracking System and Its Applications].” In //Proceedings of the ICMC// (University of Michigan, Ann Arbor, USA).

Wright, M. and Wessel, D. (1998) “[|An Improvisation Environment for Generating Rhythmic Structures Based on North Indian “Tal” Patterns].” In //Proceedings of the ICMC// (University of Michigan, Ann Arbor, USA).

Desain, P. and Honing, H. (1999) "[|Computational models of beat induction: The rule-based approach]." //Journal of New Music Research//, 28(1): 29-42.

Pachet, F. (2000) “[|Rhythms as Emerging Structures].” In //Proceedings of the ICMC// (Berlin, Germany).

Frank, R. (2000) “[|Temporal Elements: A Cognitive System of Analysis for Electro-Acoustic Music].” In //Proceedings of the ICMC// (Berlin, Germany).

Foote, J. and Cooper, M. (2000) “[|Visualizing Musical Structure and Rhythm via Self-Similarity].” In //Proceedings of the ICMC// (Berlin, Germany).

Frank, Robert J. (2000). “[|Temporal Elements: A Cognitive System of Analysis for Electroacoustic Music].” In //Proceedings of the ICMC// (Berlin, Germany).

Weyde, T. (2001) “[|Grouping, Similarity and the Recognition of Rhythmic Structure].” In //Proceedings of the ICMC// (Havana, Cuba). (June 24, 2011)

Neill, Ben. 2002. “[|Pleasure Beats: Rhythm and Aesthetics of Current Electronic Music].” //Leonardo Music Journal//, 12: 3-6.

Ariza, C. (2002) “[|Prokaryotic Groove: Rhythmic Cycles as Real-Value Encoded Genetic Algorithms].” In //Proceedings of the ICMC// (Gothenberg, Sweden), p. 561-567.

Weinberg, G., Aimi, R., Jennings, K. (2002). “[|The Beatbug Network – A Rhythmic System for Interdependent Group Collaboration].” In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression//.

Garcia-Valenzuela, P. (2003) "[|Aesthetic in Temporal Forces and Electroacoustic Composition]". PhD Thesis: City University, London, Department of Music.

Collins, N. (2003) “[|A Microtonal Tempo Canon Generator After Nancarrow and Jaffe].” In //Proceedings of the ICMC// (Singapore).

Kapanci, E. and Pfeffer, A. (2003) “[|Learning Style-Specific Rhythmic Structures].” In //Proceedings of the ICMC// (Singapore).

Fitzell, G. (2004) "[|Time-Consciousness and Form in Nonlinear Music]." PhD thesis, University of British Columbia.

Collins, Nick. (2004) "[|Beat Induction and Rhythm Analysis for Live Audio Processing]." (1st Year PhD report).

Miller, Paul D. (aka. Dj Spooky that subliminal kid). (2004) //[|Rhythm Science]//. Cambridge, MA: MIT Press.

Temperley, David. (2004). “[|An Evaluation System for Metrical Models].” //Computer Music Journal//, 28(3): 28-44.

Moelants, Dirk. (2004) “[|Rhythm in Lucien Goethals' electroacoustic works].” //Revue belge de musicologie//, 50: 143-156.

Morris, Jeffrey M. (2004) “[|A Dynamic Model of Metric Rhythm in Electroacoustic Music].” In //Proceedings of the 2004 International Computer Music Conference// (Miami, Florida).

Peeters, G. (2005) “[|Time Variable Tempo Detection and Beat Marking].” In //Proceedings of the ICMC// (Barcelona, Spain).

Collins, Nick. (2005) “[|Drumtrack: Beat Induction From an Acoustic Drum Kit with Synchronised Scheduling].” In //Proceedings of the ICMC// (Barcelona, Spain).

Volk, A. (2005) “[|Modeling a Processive Perspective on Meter in Music].” In //Proceedings of the ICMC (//Barcelona, Spain).

Lidy, T., Pölzlbauer, G., and Rauber, A. (2005) “[|Sound Re-Synthesis from Rhythm Pattern Features - Audible Insight into a Music Feature Extraction Process].” In //Proceedings of the ICMC// (Barcelona, Spain).

Guaus, E. and Herrera, P. (2005) “[|The Rhythm Transform: Towards a Generic Rhythm Description].” In //Proceedings of the ICMC// (Barcelona, Spain).

Smith, L. and Honing, H. (2006) “[|Evaluating and Extending Computational Methods of Rhythmic Syncopation in Music].” In //Proceedings of the ICMC// (New Orleans, USA), p. 688-691.

Garcia-Valenzuela, P. (2006) “[|Temporal Forces in Electroacoustic Music].” //Electronic Music Studies Network Proceeding//s. Available online.

Ding, Shiau-Uen. (2006) “Developing a rhythmic performance practice in music for piano and tape.” //Organised Sound//, 11(3): 255-272.

Graugaard, L. (2006) “[|Providing Rhythm Patterns in Sound Synthesis].” In //Proceedings of the ICMC// (New Orleans, USA).

Wright, M. (2006) “[|Shifty Looping: meter-aware, non-repeating rhythmic loops].” In //Proceedings of the ICMC (//New Orleans, USA).

Hazan, A., Brossier, P., Holonowicz, P., Herrera, P. and Purwins, H. (2007) “[|Expectation Along the Beat: A Case for Music Expectation Models].” In //Proceedings of the ICMC// (Copenhagen, Denmark), p. 228-235.

Kasahara, S., Yamaguchi, T., Saegusa, R., and Hashimoto, S. (2007) “[|Rhythm Interaction System Based on Rhythm Association].” In //Proceedings of the ICMC// (Copenhagen, Denmark).

Eigenfeldt, A. (2007) “[|Drum Circle: Intelligent Agents in Max/MSP].” In //Proceedings of the ICMC// (Copenhagen, Denmark), p. 9-12.

Eigenfeldt, Arne. (2007) “[|The Creation of Evolutionary Rhythms within a Multi-agent Networked Drum Ensemble].” In //Proceedings of the ICMC// (Copenhagen, Denmark), p. 267-270.

Anderson, E. (2007) “[|Materials, Meaning and Metaphor: Unveiling Spatio-Temporal Pertinences in Acousmatic Music].” //Electroacoustic Music Studies Network Proceedings//.

Schacher, J. and Neukom, M. (2007) “[|Where's the Beat? Tools for Dynamic Tempo Calculations].” In //Proceedings of the ICMC// (Copenhagen, Denmark), p. 17-20.

Gomez, F., Thul, E., and Toussaint, G. (2007) “[|An Experimental Comparison of Formal Measures of Rhythmic Syncopation].” In //Proceedings of the ICMC// (Copenhagen, Denmark), p. 101-104.

Guedes, C. (2007) “[|Translating Dance Movement into Musical Rhythm in Real-Time: New Possibilities for Computer-Mediated Collaboration in Interactive Dance Performance].” In //Proceedings of the ICMC// (Copenhagen, Denmark), p. 485-490.

Percival, G., Anders, T. and Tzanetakis, G. (2008) “[|Generating Targeting Rhythmic Exercises for Music Students with Constraint Satisfaction Programming].” In //Proceedings of the ICMC// (SARC, Belfast, N. Ireland).

Streich, S. and Ong, B.S. (2008) “[|A Music Loop Explorer System].” In //Proceedings of the ICMC// (SARC, Belfast, N. Ireland). Available online at (June 24, 2011)

Caceres, P. and Renaud, A. (2008) “[|Playing the Network: The Use of Time Delays as Musical Devices].” In //Proceedings of the ICMC// (SARC, Belfast, N. Ireland).

Emmerson, Simon. (2008) “[|Pulse, Meter and Rhythm in Electroacoustic Music].” //Electronic Music Studies Network Proceedings//.

Stark, A., Davies, M. and Plumbley, M. (2008) “[|Rhythmic Analysis for Real-Time Audio Effects].” In //Proceedings of the ICMC// (SARC, Belfast, N. Ireland).

Dean, R. T. and Bailes, F. (2008) "[|Is there a ‘Rise-Fall Temporal Archetype’ of Intensity in Electroacoustic Music]?" //Canadian Acoustics,// 36(3): 112–13.

Kretz, Johannes. (2009) “The Non-Hierarchical Rhythmic Language of Ngeche for Piano and Electronics.” //Contemporary Music Review//, 28(2): 167-179.

Andrade, I. (2009) “[|Temporal Convergences in Mixed Electroacoustic Works].” //Electroacoustic Music Studies Network Proceedings//.

Britton, E. (2010) “[|Born under a Bad Star: An Analysis of abstract loop-based composition through Aaron Funk’s Szerencsétlen]”. //eContact!// 12.4.

Dean, R. T., and Bailes, F. (2010) “[|A Rise-Fall Temporal Asymmetry of Intensity in Composed and Improvised Electroacoustic Music].” //Organised Sound//, 15(2): 147-158.

Adkins, Monty. (2010) “[|Metaphor, Abstraction and Temporality in Electroacoustic Music].” Online article.


 * Of Possible Interest: **

McClary, Susan. (1998) //[|Rap, minimalism and structures of time in late twentieth-century culture]//. College of Fine and Performing Arts, University of Nebraska.

McLachlan, Neil. (2000) “[|A Spatial Theory of Rhythmic Resolution].” //Leonardo Music Journal,// 10: 61–67.

Tzanetakis, G., Essl, G. and Cook, P. (2002) "[|Human perception and computer extraction of beat strength]." In //Proceedings of the Digital Audio Effects Workshop// (DAFx).

London, Justin. (2004) //[|Hearing in Time].// Oxford: Oxford University Press.