MaxMSP+bibliography


 * Books and Articles**

Puckette, M. Vercoe, B. and Stautner, J. (1981) "[|A real-time music11 emulator]." In //Proceedings of the 1981 ICMC// (North Texas State University, USA), p. 292.

Puckette, M. (1984) "The 'M' Orchestra Language." In //Proceedings of the 1984 ICMC// (IRCAM, Paris, France), p. 17-20.

Vercoe, B. L. and Puckette, M. S. (1985) "[|Synthetic rehearsal: Training the synthetic performer]." In //Proceedings of the 1985 ICMC// (Simon Fraser University, Canada), p. 275-278.

Puckette, M. (1986) "[|Interprocess Communication and Timing in Real-Time Computer Music Performance]." In //Proceedings of the 1986 ICMC// (The Hague, The Netherlands).

Zicarelli, D. (1987) "[|M and Jam Factory]." //Computer Music Journal//, 11(4): 13-29.

Puckette, M. (1988) "[|The Patcher]." In //Proceedings of the 1988 ICMC// (GMIMIK Cologne, Germany).

Puckette, M. (1990) "[|EXPLODE: A User Interface for Sequencing and Score Following]." IRCAM online article.

Viara, E. and Puckette, M. (1990) "[|A Real-Time Operating System for Computer Music]." In //Proceedings of the ICMC// (University of Glasgow, Scotland).

Freed, A., Wessel, D. and Zicarelli, D. (1991) "[|Max Objects for Media Integration]." In //Proceedings of the ICMC// (McGill University, Montreal, Canada), p. 397-400.

Schultz, C. (1991) "Opcode MAX: Interactive Graphic Programming Environment (Macintosh)." //Keyboard Magazine//, May 1991.

Piché, J. and DesMeures, S. (1991) "MAXGen: A graphical MAX object for the generation and editing of complex continuous functions." In //Proceedings of the ICMC// (McGill University, Montreal, Canada).

Puckette, M. (1991) "[|Combining Event and Signal Processing in the Max Graphical Programming Environment]." //Computer Music Journal//, 15(3): 68-77.

Zicarelli, D. (1991) "[|Communicating with meaningless numbers]." //Computer Music Journal//, 15(4).

Puckette, M. (1991) "[|Something Digital]." //Computer Music Journal//, 15(4).

Zicarelli, D. and Lee, M. A. (1992) "[|The Max Timeline Object]." In //Proceedings of the ICMC// (Tokyo, Japan), p. 453-456.

Lippe, C., Puckette, M., Settel, Z., Puig, V., and Jullien, J-P. (1993) "[|The IRCAM signal processing workstation and IRCAM Max user groups: future developments and platforms]." In //Proceedings of the ICMC// (Tokyo, Japan), p. 446-448.

Desain, P. et al. (1993) "Editor's Notes: Putting Max in Perspective." //Computer Music Journal,// 17(2): 3-11.

Puckette, M. (1994) "Is there life after MIDI?" In //Proceedings of the ICMC// (DIEM, Denmark), p. 2.

Déchelle, F., de Cecco, M., Puckette, M. and Zicarelli, D. (1994) "[|The IRCAM "Real-Time Platform" : Evolution and Perspectives]." In //Proceedings of the ICMC// (DIEM, Denmark).

Puckette, M. (1996) "[|Pure Data: another integrated computer music environment]." In //Proceedings of the ICMC// (Hong Kong, China), p. 224-27.

Puckette, M. (1997) "Pure Data: recent progress." In //Proceedings, Third Intercollege Computer Music Festival// (Tokyo, Japan), p. 1-4.

Dechelle, F. et al (1998) "[|jMax: a new JAVA-based editing and control system for real-time musical applications]." In //Proceedings of the ICMC// (University of Michigan, Ann Arbor, USA).

Dechelle, F et al (1998) "[|jMax: demonstration of an integrated environment for real-time musical applications]." In //Proceedings of the ICMC// (University of Michigan, Ann Arbor, USA).

Zicarelli, David (1998) "[|An Extensible Real-Time Signal Processing Environment for Max]." In //Proceedings of the ICMC// (University of Michigan, Ann Arbor, USA).

Wright, M., Khoury, S., Wang, R., Zicarelli, D. (1999) "[|Supporting the Sound Description Interchange Format in the Max/MSP Environment]." In //Proceedings of the ICMC// (Beijing, China), p. 182-85.

Tisserand, P. (1999) "[|Implémentation de Modèles Physiques sous environnement temps-réel jMax.]" Rapport de stage, Stage de l'École ENSM de Nancy.

Tisserand, P. (1999) "[|Utilisation de jMax]." Rapport de stage, Stage de l'École ENSM de Nancy.

Iovino, F., Schnell, N. and Lartillot, O. (1999) "[|Modalys in jMax: real-time modal-synthesis]." In //Proceedings of the ICMC// (Beijing, China).

Puckette, M. (2002) "[|Max at Seventeen]." //Computer Music Journal//, 26:4: 31-43.

Zicarelli, D. (2002) "[|How I Learned to Love a Program That Does Nothing]." //Computer Music Journal//, 26:4: 22-51.

Zicarelli, D. (2002) "Developing Plug-ins in Max/MSP for Pluggo." San Francisco: Cycling '74.

Puckette, M. (2004) "[|Who Owns our Software?: A First-Person Case Study]." ISEA 2004 Online Proceedings.

Puckette, M. (2006) "[|Computing While Composing]." Preface to the //OM Composer's Book//. Paris: Éditions Delatour / IRCAM.

Puckette, M. (2007) //[|The Theory and Techniques of Electronic Music]//. World Scientific Press.

Cipriani, A. and Giri, M. (2010) //[|Electronic Music and Sound Design - Theory and Practice with Max/MSP - Volume 1.]// Contemponet.


 * Anecdotal**

__From Cycling '74 blog:__

"[|Freaks and Geeks]." (2004, author unknown) "[|Max Learns to Ride a Bike]." (2005, David Zicarelli) "[|Announcing Expo '74: Our First User Conference]." (2008, David Zicarelli) "[|Max Mathews: An Appreciation]." (2011, David Zicarelli) "[|Putting Max into words]." (unknown interviewer, Maurizio Giri and Alessandro Cipriani)

[|Cycling '74 Artist Interviews]