History+of+Audio+Programming


 * Book and Articles**

Vercoe, B.L. (1968) "Reviews of Books on Computer Music." //Perspectives of New Music//, 10(1): 323-330.

Sammet, J. (1969) //[|Programming Languages: History and Fundamentals (Automatic Computation)]//. New Jersey: Prentice Hall.

Strawn, J. (ed.) (1985) //Digital Audio Engineering: An Anthology// (Computer Music and Digital Audio Series). Middleton, WI: A-R Editions.

David, D. S. (1988) //[|Computer Applications in Music: A Bibliography]//. Middleton, WI: A-R Editions.

Paynter, J., Howell, T., Orton, R. and Seymour, P. (eds). (1992) "The Technology of Music." //Companion to Contemporary Musical Thought//. London: Routledge.

Landy, Leigh. (1993) "[|Sound Transformations in Electroacoustic Music]." Composer's Desktop Project.

Dumour, E. (1993) "[|Interview with Arthur Roberts]." //Computer Music Journal//, 17(2): 17-22.

David, D. S. (1993) //Computer Applications in Music: A Bibliography. Supplement 1//. Middleton, WI: A-R Editions.

Selfridge-Field, Eleanor (1994) "[|Review of 'Computer Applications in Music: A Bibliography' and 'Computer Applications in Music: A Bibliography. Supplement 1]." Notes 50(3): 1019-21.

Cook, Nicholas (1994) "[|Review of 'Companion to Contemporary Musical Thought]." //Music & Letters//, 75(1)" 115-120. Oxford: Oxford University Press.

Burns, Kristine H. (1994) "The history and development of algorithms, 1957-1993." PhD Dissertation. Ball State University, Muncie, Indiana.

Moore, R. F. (1996) "[|Dreams of Computer Music - Then and Now]." //Computer Music Journal//, 20(1): 25-41.

Collective. (1996) "[|Lire l'IRCAM]." //Les Cahiers de l'IRCAM// - Numéro spécial. Paris: IRCAM.

Collective. (1997) "[|Les vingt ans du Centre Georges-Pompidou]." //Résonance//, no. 11. Paris: IRCAM.

Chadabe, Joel (2000) "[|The Electronic Century]" [Parts 1-4]. //Electronic Musician// [Magazine], Vol. 16, Issues 2-5.

Geslin, Yann (2002) "Digital Sound and Music Transformation Environments: A Twenty-year Experiment at the 'Groupe de Recherches Musicales'. //Journal of New Music Research//, 31(2): 99-107. Lisse, France: Swets & Zeitlinger.

Puckette, M. (2006) "[|Computing While Composing]." //OM Composer's Book// (Preface), Carlos Agon et al, eds. France: Éditions Delatour/IRCAM.

Wang, Ge (2007) "[|A History of Programming and Music]." //The Cambridge Companion to Electronic Music//. Cambridge: Cambridge University Press.

Kogan, R. (2008) "[|A Brief History of Electronic and Computer Musical Instruments]." Online article.

Dean, R. T. (ed). (2011) //[|The Oxford Handbook of Computer Music]//. Oxford, Oxford University Press.

Noll, M. A. and Geselowitz, M. (eds). (2011) //[|Bell Labs Memoirs: Voice of Innovation]//. CreateSpace (amazon.com) . Gertner, J. (2012) [|The Idea Factory: Bell Labs and the Great Age of American Innovation]. London: Penguin Press HC.


 * Special Journal Issues:**

__//Computer Music Journal,// Vol. 26, Issue 4 (Winter 2002), inspired by the Dartmouth Symposium on the Future of Computer in Nov. 2001__

Lyon, E., Mathews, M., McCartney, J., Zicarelli, D., Vercoe, B., Loy, G. and Puckette, M. (2002) "Dartmouth Symposium on the Future of Computer Music Software: A Panel Discussion." p. 13-30 Puckette, M. (2002) "Max at Seventeen." p. 31-43 Zicarelli, D. (2002) "How I Learned to Love a Program That Does Nothing." p. 22-51 Loy, G. (2002) "The CARL System: Premises, History and Fate." p. 52-60. McCartney, J. (2002) "Rethinking Computer Music Language: SuperCollider." p. 61-68. Scaletti, C. (2002) "Computer Music Languages, Kyma and the Future." p. 69-82. Smith, M. B. (2002) "Review: The Future of Computer Music Software: A Symposium." p. 93-95.

__//Computer Music Journal//, Vol. 33, No. 3 (Special Issue dedicated to Max Mathews)__

Park, T. H. (2009) "An Interview with Max Mathews." p. 9-22 Appleton, J. (2009) "My Friend Max." p. 23-25 Risset, J-C. (2009) "Max Mathew's Influence on (My) Music." p. 26-34. Chowning, J. (2009) "Wave Studies: Sailing an Ocean with Max and Marjorie Mathews." p. 35-40. Howe, H. (2009) "My Experiences with Max Mathews in the Early Days of Computer Music." p. 41-44.


 * Website Articles**

"[|Memorial Resolution, John Robinson Pierce (1910-2002)]". Faculty Senate at Stanford University (Committee: Chris Chafe, John Chowning, John Sanford, Stanford Report)

"[|John Robinson Pierce]." David, E. D., Mathews, M. V., and Noll, A. M. Biographical Memoirs, National Academies Press.

"[|Claude Shannon]." Inventors Hall of Fame Article.

"[|Bernard Oliver]." Inventors Hall of Fame Article.

"[|John Pierce: Biography]." IEEE Global History Network.

[|Composer's Desktop Project] [History of organization + History of software development]. Composer's Desktop Website.


 * Anecdotal / Youtube**

"[|John R. Pierce (1910-2002) Interviewed by Harriett Lyle, April 16, 23 and 27, 1979]." (1979) Archives of the California Institute of Technology, Pasadena, CA.

"[|John Pierce: Oral History]", Parts 1-3. (1992) IEEE History Center. Andy Goldstein, interviewer.

"[|Max Mathews on MUSIC I - the beginning of computer music - Bell Labs]." (1998) Eric Chasalow, interviewer.

"[|Max Learns to Ride a Bike]." (2005) David Zicarelli, Cycling '74 blog.

"[|Announcing Expo '74: Our First User Conference]." (2008) David Zicarelli, Cycling '74 blog.

"[|Max Mathews: An Appreciation]." (2011) David Zicarelli, Cycling '74 blog.

"[|Max [Mathews Remembered by Dr. Richard Boulanger]]." (2011). csounds.com.