Digital+Preservation+bibliography


 * Books and Articles**

Risset, Jean-Claude (1979) "[|Archivage numérique des sons]". //Rapport IRCAM//, Paris: Ircam - Centre Georges-Pompidou, 23/79.

Hinkle-Turner, Elizabeth (1996) "[|Digital Notation Representation and Online Retrieval of Musical Information: A Discussion of Current Options and Practices]". In //Proceedings of the International Computer Music Conference (//Hong Kong University of Science and Technology, China).

Chadabe, Joel (1997) "[|The Electronic Music Foundation]." //Organised Sound.// Cambridge: Cambridge University Press, 2(1): 25-27.

Coenen, Alcedo (1997) "[|NEAR - The Netherlands Electro-Acoustic Repertoire Centre]." //Organised Sound.// Cambridge: Cambridge University Press, 2(1): 19-21.

Kuny, Terry (1997) "[|A Digital Dark Ages? Challenges in the Preservation of Electronic Information]." 63rd IFLA (International Federation of Library Associations) Council and General Conference.

Dewitt, Donald L. (1998) //[|Going Digital: Strategies for Access, Preservation and Conversion of Collections to a Digital Format]//. London: Routledge.

Rothenberg, Jeff (1998) "[|Avoiding Technological Quicksand: Finding a Viable Technical Foundation for Digital Preservation]." Council on Library and Information Resources, Washington, D.C.

Gronow, P. and Petjäjä, M. (1998) "[|Archives sonores numériques YLE]." //UER - Revue Technique.// Grand-Saconnex, Suisse: Union Européene de Radio-Télévision.

Fingerhut, Michael (1999) "[|The IRCAM multimedia library: a digital music library]." In //Proceedings of Research and Technology Advances in Digital Libraries// (ADL '99).

Bonardi, A., Serra, M.-H. et Fingerhut, M. (1999) "[|Documentation musicale et outils hypermédias]." //Actes du Deuxième Colloque International sur le Document Électronique// (CIDE'99, Damas, Syrie). Paris: Europia Productions, p. 295-309.

Lee, Brent (2000) "[|Issues Surrounding the Preservation of Digital Music Documents]." //The Journal of the Association of Canadian Archivists//, 50: 193-204.

Maple, A. and Henderson, T. (2000) "[|Prelude to a Digital Music Library at the Pennsylvania State University]." //Journal of Library Resources & Technical Services//, Amercian Library Association, 44(4): 190-195.

Holcomb, Julie (2000) "[|Review of 'Going Digital: Strategies for Access, Preservation and Conversion of Collections to a Digital Format]'". //Journal of the Association for History and Computing.// Ann Arbor, MI: Mpublishing, 3(1).

Jordan, Sophia K. (2000) "[|A Review of the Preservation Literature, 1993-1998]." //Journal of Library Resources & Technical Services//, American Library Association, 44(1): 4-21.

Terrugi, Daniel (2001) "Preserving and Diffusing." //Journal of New Music Research.// Lisse: Swets and Zeitlinger, 30(4): 403-405.

Canazza, S. and Vidolin, A. (2001) "[|Introduction: Preserving electroacoustic music]." //Journal of New Music Research//, Lisse: Swets and Zeitlinger, 30:4, p. 289-293.

Chen, S-S. (2001) "[|The Paradox of Digital Preservation]." //Computer// [Journal]//.// Los Alamitos, CA: IEEE Computer Society Press, 34:3, p. 24-28.

Bainbridge, D. et al. (2001) "[|Digital Music Libraries - Research and Development]." //First ACM/IEEE-CS Joint Conference on Digital Libraries (JCDL'01).// Roanoke, Virginia, p. 446-8.

Bachimont, Bruno (2001) "[|L'archive numérique: entre authenticité et interprétabilité]." //Revue Archives.// Sainte-Foy, Québéc: Association des archivistes du Québéc, 32(1).

Davies, H. (2001). "The preservation of electronic musical instruments." //Journal of New Music Research,// 30(4): 295-302.

Duranti, Luciana (2001) "Concepts and Principles for the Management of Electronic Records." //The Information Society: An International Journal.// Taylor & Francis Online, 17: 1-9.

Duranti, Luciana (2001) "[|The Impact of Digital Technology on Archival Science]." //Archival Science: International Journal on Recorded Information.// Springer, 1(1): 39-55.

Duranti, Luciana (2001) "The InterPARES Project." In //Proceedings of the Open Seminar on Current Projects on Digital Preservation and Electronic Records// (Glasgow, UK).

Duranti, Luciana (2001) "Draft Conceptual Requirements for Authenticity." In //Proceedings of the Symposium "How Do You Know It's the Real Thing? (II) Authentic Records in the Electronic Age// (Istituto Italiano di Cultura, Vancouver, BC).

Duranti, Luciana (2001) "Concepts, Principles and Methods for the Management of Reliable and Authentic Electronic Records Throughout Their Life Cycle." In //Proceedings of the Second International Conference on Office Information System OA (OIS)//. CD-ROM.

Duranti, Luciana (2001) "Focus on Electronic Records: The InterPARES Project." //The Association of Commonwealth Archivists and Records Managers (ACARM) Newsletter//, No. 27.

Chadabe, J. (2001) "Preserving performances of electronic music." //Journal of New Music Research,// 30(4): 303-305.

Minibayeva, N. and Dunn, J. W. (2002) "A Digital Library Data Model for Music." In //Proceedings of the 2nd ACM-IEEE-CS joint conference on digital libraries (JCDL'02).// New York, NY: ACM, p. 154-155.

Lee, K. H., Slattery, O., Tang, X., Lu, R., McCrary, V. (2002) "[|The state of the art and practice in digital preservation]." //Journal of Research of the National Institute of Standards and Technology.// Gaithersburg, MD: National Institute of Standards and Technology.

Brylawski, Samuel (2002) "[|Preservation of Digitally Recorded Sound]." //Building a National Strategy for Preservation: Issues in Digital Media Archiving.// Washington, DC: Council on Library and Information Resources Congress.

Depocas, Alain (2002) "[|Préservation numérique: la stratégie documentaire]." Centre de recherche et documentation, Fondation Daniel Langlois.

Blandford, A. & Stelmaszewska, H. (2002) "[|Usability of Musical Digital Libraries: a Multimodal Analysis]." In //Proceedings of the International Symposium on Musical Digital Libraries,// M. Fingerhut (Ed.). Paris: IRCAM.

Bainbridge, D., Dewsnip, M. and Witten, I. (2002) "[|Searching Digital Music Libraries]." //Digital Libraries: People, Knowledge and Technology, Lecture Notes in Computer Science.// Springer, 2002(2555): 129-140.

Fingerhut, Michael (2002) "[|Peut-on conserver indéfiniment l'information?]" IRCAM online article.

Duranti, L., Eastwood, T., MacNeil, H. (2002) //[|Preservation of the Integrity of Electronic Records]//. Luxembourg: Springer.

Duranti, Luciana (2002) "Merging the Old with the New: The Management of Electronic Records in Canada in Theory and in Practice." In //Proceedings of the 2nd International Seminar of Archives of Hiberic Tradition// (Rio de Janeiro, 2002). Rio de Janeiro: National Archives of Brazil.

Leigh, L. and Atkinson, S. (2003) "[|Introducing the ElectroAcoustic Resource Site]." In //Proceedings of the ICMC (//Singapore), p. 115-118.

Bachimont, B., Blanchette, J-F., Gerzso, A., Swetland, A., Lescurieux, O., Morizet-Mahoudeaux, P., Donin, N. and Teasley, J. (2003) "[|Preserving interactive digital music: a report on the MUSTICA research initiative]." In //Proceedings of the Third International Conference on WEB Delivering of Music// (WEB'03).

Depocas, A., Ippolito, J. and Jones, C. (2003) //[|Permanence Through Change: The Variable Media Approach]//. Guggenheim Museum and The Daniel Langlois Foundation for Art, Science & Technology.

Donin, N, Fingerhut, M., Stiegler, B. (2003) "[|The IRCAM Digital Sound Archive in Context]." //DigiCULT.info//, No. 6.

Duranti, Luciana (2003) "[|More Than Information, Other Than Knowledge: The Nature of Archives in the Digital Era]." //Cadernos BAD// (Associaçao portuguesa de bibliotecarios, arquivistas e documentalistas), 2: 6-16.

Muir, Adrienne (2004) "[|Digital Preservation: Awareness, Responsibility and Rights Issues]." //Journal of Information Science//, 30(1): 73-92.

Terrugi, Daniel (2004) "[|Can We Save Our Audio-Visual Heritage?]" //Ariadne// [Web Magazine for Information Professionals], Issue 39.

Terrugi, Daniel (2004) "[|What Are We Looking For?]" //Computer Music Modeling and Retrieval (Lecture Notes in Computer Science).// Springer, 2004(2771).

Law, D. (2004) //[|Digital Libraries: Policy, Planning and Practice]// (D. Law and J. Andrews, Eds). Surrey, UK: Ashgate Pub Ltd.

Longton, Michael (2004) "[|General Study 04 Final Report: Survey of the Recordkeeping Practices of Composers]." Online article (InterPARES 2 Project).

Puckette, Miller (2004) "[|New Public-Domain Realizations of Standard Pieces for Instruments and Live Electronics]." In //Proceedings of the International Computer Music Conference// (Miami, USA).

Duranti, L. and Chabin, M-A. (2004) "[|La conservation à long terme des documents dynamiques et interactifs: InterPARES 2]." InterPARES Online article.

Roeder, J. (2004) "Preserving authentic interactive digital artworks: case studies from the InterPARES project." In //Proceedings from International Cultural Heritage Informatics Meeting ichim04// (Berlin, Germany). Toronto: Archives & Museum Informatics, CD-ROM.

Fingerhut, Michael (2004) "[|Bibliothèque et patrimoine sonore - la perspective de l'IRCAM]." //2e Colloque colombo-français des Bibliothèques - "bibliothèques et patrimoine musical".// 17e Feria internacional del libro de Bogotà (Coferias, Colombie).

Duranti, Luciana (2004) "[|Pour une diplomatique des documents electroniques]." //Bibliothèque de l'École des Chartes.// Paris: École des Chartes, p. 105-125.

Duranti, L. and Blanchette, J-F. (2004) "[|The Authenticity of Electronic Records: The InterPARES Approach]." In //Proceedings of the IS&T's 2004 Archiving Conference.// Springfield Virginia: Society for Imaging Science and Technology, p. 215-220.

Collective (2004) "[|CCA: The Archiving and Preservation of Born-Digital Art Workshop]." erpanet.org (Electronic Resource Preservation and Access Network). Online article.

Duranti, Luciana (2004) "The InterPARES Project: An Overview." In //Proceedings of the CODATA International Conference// "The Information Society: New Horizons for Science" (Berlin, 2004). Paris: CODATA.

Duranti, Luciana (2004) "Preserving Authentic Electronic Art Over the Long-Term: The InterPARES Project." In //Proceedings of the American Institute of Conservation/Electonic Media Group Conference.// New York, NY: IMAP.

Duranti, Luciana (2004) "[|The concept of record in experiential, interactive and dynamic environments: can the InterPARES project address the ultimate archival challenge?]" In //Actas de VIII Congresso Nacional de bibliotecarios.arquivistas.documentalistas.// Lisbon, Portugal: BAD.

Winget, Megan (2005) "[|Digital Preservation of New Media Through Exploration of Established Symbolic Representation Systems]." Final doctoral research paper presented at JCDL 2005 Inaugural Doctoral Consortium, 7 June 2005, Denver, Colorado, USA.

Bernardini, N. and Vidolin, A. (2005) "[|Sustainable Live Electroacoustic Music]." Sound and Music Computing Conference (XV CIM, 24-26 November 2005), Salerno, Italy.

Bosma, Hannah (2005) "[|Documentation and Publication of Electroacoustic Compositions at NEAR]." In //Proceedings of the Electroacoustic Music Studies Network International Conference EMS 05// (Montreal, QC).

Duranti, L. and Roeder, J. (2005) "La conservazione a lungo termine dell'autenticità di composizioni digitali interattive: la ricerce di InterPARES 2." //Archivi e Computer.// Corazzano, Italy: Titivillus Edizioni, 2005(3): 45-62.

Duranti, Luciana (2005) "[|The long-term preservation of accurate and authentic digital data: the InterPARES Project]." //Data Science Journal.// Japan: CODATA, 2005(4): 106-118.

Duranti, Luciana (2005) "The Concept of Record Revealed by the InterPARES Case Studies." In //Proceedings of the Symposium "Finding Pathways for Preserving Authentic Digital Objects".// The Hague: Nationaal Archief.

Duranti, Luciana (ed.) (2005) //The Long-term Preservation of Authentic Electronic Records: Findings of the InterPARES Project//. San Miniato, Italy: Archilab.

Gladney, H.M. (2006) "[|Principles for Digital Preservation]". //Communications of the ACM - Next-generation cyber forensics//, 49(2): 111-116.

Borghoff, U. M., Rödig, P., Scheffczyk, J., Schmitz, L. (2006) //[|Long-term Preservation of Digital Documents: Principles and Practices]//. Springer.

Terrugi, Daniel (2006) "Is there a right way to deal with rights?" //Organised Sound.// Cambridge: Cambridge Press, 11(3): 205-7.

Roeder, J. (2006) "Preserving Authentic Electroacoustic Music: the InterPARES Project." In //Proceedings of the IAMLIASA Congress 2006 (//Oslo, Norway).

Lee, Brent (2006) "[|Issues Surrounding the Preservation of Digital Music Documents]." Online article.

Emmerson, S. (2006). "In what form can ‘live electronic music' live on?" //Organised Sound,// 11(3): 209-221.

Duranti, L. and Thibodeau, K. (2006) "[|The Concept of Record in Interactive, Experiential and Dynamic Environments: the View of InterPARES]." //Archival Science: International Journal on Recorded Information.// Springer, 6(1): 13-68.

Duranti, Luciana (2006) "La questione fondamentale: in quali entita' digitali si concreta la memoria del futuro?" //Archivi e Computer.// Corazzano, Italy: Titivillus Edizioni, 2006(1): 24-31.

Duranti, Luciana (2006) "[|Verso InterPARES 3: Un'alleanza di ricerca tra comunità e università]." //Il Mondo degli Archivi on Line 2//.

Becker, C., Kolar, G., Küng, J. and Rauber, A. (2007) "[|Preserving Interactive Multimedia Art: A Case Study in Preservation Planning]." //Lecture Notes in Computer Science.// Springer, 2007(4822): 257-266.

Rinehart, Richard. (2007) "[|The Media Art Notation System: Documenting and Preserving Digital/Media Art]." //Leonardo// online.

Barthelémy, Jérôme (2007) "[|Préservation de données numériques: le cas de la production artistique contemporaine]." Online article.

Duranti, Luciana (2007) "[|An Overview of InterPARES 3 (2007-2012)]." //Archives & Social Studies: A Journal of Interdisciplinary Research//, 1-2: 577-603.

Duranti, Luciana (2007) "The InterPARES 2 Project: An Overview." //Archivaria.// Ottawa: Association of Canadian Archivists, 64: 113-121.

Duranti, Luciana (2007). "[|The InterPARES Framework for the Development of Policies, Strategies and Standards]." //Cultural Heritage on Line: The Challenge of Accessibility and Preservation//, Fondazione Rinascimento Digitale e Associazione Civita, p. 109-126.

Ng, K., Mikroyannidis, A., Ong, B., Giaretta, D. (2008) "Preservation of interactive multimedia performances." //International Journal of Metadata, Semantics and Ontologies//, 3(3): 183-196.

Esposito, N. (2008) "[|Long-term preservation of acousmatic works: Toward a generic model of description]." In //Proceedings of the Electrotechnical Conference (2008)// [also //Proceedings of MELECON 2008// and //Proceedings of the 14th IEEE Mediterranean//].

Bonardi, A. and Barthélémy, J. (2008) "[|The preservation, emulation, migration, and virtualization of live electronics for performing arts: An overview of musical and technical issues]." //Journal on Computing and Cultural Heritage (JOCCH) //, 1(1).

Ng, K., Mikroyannidis, A., Ong, B., Giaretta, D. (2008) "[|Practicing Ontology Modeling for Preservation of Interactive Multimedia Performances]." //AXMEDIS '08 International Conference Proceedings (Automated solutions for Cross Media Content and Multi-Channel Distribution)//.

Guercio, M., Barthélemy, J. and Bonardi, A. (2008) "[|Authenticity Issue in Performing Arts using Live Electronics]." Online article.

Bonardi, A., Barthélemy, J., Boutard, G. and Ciavarella, R. 2(008) "[|Préservation de processus temps réel: Vers un document numérique]." //Document numérique//, Éditions Lavoisier, 11(3-4): 59-80.

Downie, J. S., West, K. and Hu, X. (2008) "[|Dynamic classification explorer for music digital libraries]." In //Proceedings of the 8th ACM/IEEE-CS joint conference on Digital Libraries.// New York, NY: ACM, p. 422.

Bonardi, A. and Barthélemy, J. (2008) "[|Le patch comme document numérique: support de création et de constitution de connaissances pour les arts de la performance]." Online paper.

lanza, alcides (2008) "[|EMS Archival Project - Montréal: McGill University - Schulich School of Music]." //eContact! 10.x - Projet d'archivage Concordia (PAC) / Concordia Archival Project (CAP).//

Roeder, J., Eppard, P., Underwood, W., Lauriault, T. P. (2008) "Part Three - Authenticity, Reliability and Accuracy of Digital Records in the Artistic, Scientific and Governmental Sectors: Domain 2 Task Force Report." //International Research on Permanent Authentic Records in Electronic Systems (InterPARES 2): Experiential, Interactive and Dynamic Records.// Padova, Italy: Associazione Nazionale Archivistica Italiana, p. 139-186.

Bonardi, A., Barthélemy, J., Ciavarella, R. and Boutard, G. (2008) "[|Will Software Modules for Performing Arts be Sustainable?]" IRCAM online article.

Fingerhut, Michael (2008) "[|La Portail de la musique contemporaine: http://www.musiquecontemporaine.fr]". IRCAM online article.

Duranti, L. and Preston, R. (eds.) (2008) //[|InterPARES 2: Interactive, Dynamic and Experiential Records]//. Padova, Italy: ANAI.

Ng, K. Pham, T.V., Ong, B., Mikroyannidis, A., Giaretta, D. (2009) "[|Ontology for Preservation of Interactive Multimedia Performances]." //Metadata and Semantics, Part 1// (Miguel-Angel Sicilia and D. Miltiadis, Eds). Springer.

Damm, D., Kurth, F., Fremerey, C. and Clausen, M. (2009) "[|A Concept for Using Combined Multimodal Queries in Digital Music Libraries]." //Research and Advanced Technology for Digital Libraries (Lecture Notes in Computer Science).// Springer, 2009(5714).

Terrugi, Daniel (2009) "[|PrestoPRIME: Keeping Digital Content Alive]." In //Proceedings of Cultural Heritage Online Empowering Users: An Active Role for User Communities.// Florence, Italy: Firenze University Press, p. 157-8.

Terrugi, Daniel. (2009) "Ethics of Preservation." In //Proceedings of Cultural Heritage Online Empowering Users: An Active Role for User Communities.// Florence, Italy: Firenze University Press, p. 12-15.

Collective (2009) //[|Archivage numérique à long terme: les débuts de la maturité?]// La Documentation française [Éditeur].

Witten, I., Bainbridge, D. and Nichols, D.M. (2009) //[|How to Build a Digital Library, Second Edition]// (The Morgan Kaufman Series in Multimedia Information Systems). Morgan Kaufman.

Roeder, John (2009) "Archivists meet Artists: InterPARES Insights into Authenticity. " [|Art, Conservation, and Authenticities: Material, Concept, Context (eds. Erma Hermens and Tina Fiske)]. London: Archetype Publications, p. 227-234.

Duranti, Luciana (2009) "The Findings of InterPARES." In //Proceedings of the Seminario Internacional de Archivos y Documentos Eletronicos.// Bogota, Columbia: Universidad La Salle.

Austin, K. (2009) "[|The Concordia Collection as a Primary Research Source]." //eContact!// 10.x.

Verheul, I., Tammaro, A.M. and S. Witt (Eds) (2010) //[|Digital Library Futures: User Perspectives and Institutional Strategies]//. The Hague, The Netherlands: IFLA Publications.

Terrugi, Daniel (2010) "[|Who are the Users of Digital Libraries, What do they Expect and Want?: The European Experience]." //Digital Library Futures: User Perspectives and Institutional Strategies// (Verheul, I. Tammaro, A. M. and S. Witt (Eds), The Hague, The Netherlands: IFLA Publications.

Vincent, Antoine (2010) "[|Préservation d'oeuvres musicales: Étude du processus de production]." Mémoire de Master, Université de Technologies de Compiègne, France.

Margounakis, D. and Dionysios, P. (2010) "[|Implementation and Interaction Issues in Digital Music Libraries]." //WSEAS Transactions (World Scientific and Engineering Academy and Society)//, 2(9).

Duranti, Luciana (2010) "[|Long-term Preservation of Digital Heritage]." In //Proceedings of Cultural Heritage online: Empowering users: an active role for user communities.// Florence, Italy, Fondazione Rinascimento Digitale, p. 17-20.

Giaretta, David. (2011) //[|Advanced Digital Preservation]//. Springer.

Norberg, Brian (2011) "[|Review of Digital Library Futures: User Perspectives and Institutional Strategies]." //Library Resources & Technical Services//, American Library Association, 55(4).

Neveux, Janou (2011) "[|Musique numérique en bibliothèque]." //Bulletin des Bibliothèques de France (bbf:)//, t. 56, no. 5.

Vincent, A., Bachimont, B. and Bonardi, A. (2012) "[|Modéliser les processus de création de la musique avec dispositif numérique: représenter pour rejouer et préserver les œuvres contemporaines]". //23es Journées francophones d'ingénierie des connaissances//, Paris.

Boutard, G. and Guastavino, C. (2012) "[|Archiving electroacoustic and mixed music: significant knowledge involved in the creative process of works with spatialisation]." //Journal of Documentation.// Emerald Group Publishing, 68(6): 749-771.


 * Dedicated Journal Issues**

[|Archive Journal - Issue 2 (2012): Undergraduates in the Archives (360 Analysis and Discussion in the Round).]

[|International Journal on Digital Libraries, Springer, Vol. 12, no. 2-3 (2012): Focused Issue on Music Digital Libraries.]

Orio, N., Rauber, A. and Rizo, D. 2012. "Introduction to the Focused Issue on Music DLs." p. 51-52. Chan, J. W-T., Illiopoulos, C., Michalakopoulos, S. and M.S. Rahman. 2012. "Exact and approximate rhythm matching algorithms." p. 149-158. Strle, G. and Marott, M. 2012. "The EthnoMuse digital library: conceptual representation and annotation of ethnomusicological materials." p. 105-119. Canazza, Sergio. 2012. "The digital curation of ethnic music audtio archives: from preservation to restoration: Preserving a multicultural society." p. 121-135. Inskip, C., Macfarlane, A. and Rafferty, P. 2012. "Towards the disintermediation of creative music search: analysing queries to determine important facets." p. 137-147. Rigaux, P., Abrouk, L., Audéon, H., Cullot, N., Davy-Rigaux, C., et al. 2012. "The design and implementation of NEUMA, a collaborative Digital Scores Library: Requirements, architecture, and models." p. 73-88 Bainbridge, D., Novak, B.J., and Cunningham, S. J. 2012. "A spatial hypertext-based, personal digital library for capturing and organizing musical moments." p. 89-103. Damm, D., Fremerey, C., Thomas, V., Clausen, M., Kurth, F. and Miller, M. 2012. "A digital library framework for heterogeneous music collections: from document acquisition to cross-modal interaction." p. 53-71.

[|Revue Francophone Informatique Musicale (no. 2 - automne 2012)]

Barthélemy, J. and Terrugi, D. 2012. "Préservation du patrimoine numérique: manifeste pour la création d'un réseau de compétences." Barkati, K., Orlarey, Y. et J. Barthélemy. 2012. "Abstraction du processus temps réel: une stratégie pour la préservation à long terme." Vincent, A., Bonardi, A., et F. Rousseaux. 2012. "Modéliser et représenter la création audio-numérique pour la pérenniser." Quinquenel, Jean-Pierre. 2012. "Diffuser, distribuer, bloguer pour préserver: le cas de SuperCollider."

__[|Organised Sound, Cambridge: Cambridge University Press, Vol 9, no. 1, 2004]__

Atkinson, S. and Landy, L. 2004. "The ElectroAcoustic Resource Site (EARS): Philosophy, foundation and aspirations." p. 79-85. Ramel, Sylvie. 2004. "Conservation and Restoration of Electroacoustic Musical Instruments at the Musée de Paris." p. 87-90. Terrugi, Daniel. 2004. "Electroacoustic Preservation Projects: How to move forward." p. 55-62. Battier, Marc. 2004. "Electroacoustic music studies and the danger of loss." p. 47-53.

[|Horizon 0, Issue 18: (online Journal of Digital Art + Culture, Banff Centre, 2004): Ghost: Archive, evolution, entropy]

Depocas, Alain. 2004. "Variable and Unstable: Preserving and Documenting our Digital Art Heritage." Jones, Caitlin. 2004. "Does Hardware Dictate Meaning? : Three Variable Media Conservation Case Studies." Sterling, Bruce. 2004. "Built on Digital Sand: A Media Archaeologist Digs the Lonely Shores of Binary Obsolescence." Fischer, Hervé. 2004. "Digital Amnesiacs: Thoughts on the Sophisticated Fragility of Digitized Memory."


 * Research Projects / Resources:**

[|InterPARES] (International Research on Permanent Authentic Records in Electronic Systems) 2001-2012. [|InterPARES 1] [|InterPARES 2 Project Publications] [|InterPARES 3 Project Publications]

[|DOCAM] (Documentation and Conservation of Media Arts Heritage) 2005-2010.

[|CASPAR] (Cultural, Artistic and Scientific Knowledge for Preservation, Access and Retrieval) 2006-2009.

[|erpanet.org] (Electronic Resource Preservation and Access Network) 2004?


 * Additional**

[|Bibliomus] Un service de conseil pour la conservation et la valorisation numériques de patrimoine culturel.

[|culture-acte 2] Espace participatif de la mission de concertation sur les contenus culturels et pratiques numériques.