Books and Articles

Puckette, M. Vercoe, B. and Stautner, J. (1981) "A real-time music11 emulator." In Proceedings of the 1981 ICMC (North Texas State University, USA), p. 292.

Puckette, M. (1984) "The 'M' Orchestra Language." In Proceedings of the 1984 ICMC (IRCAM, Paris, France), p. 17-20.

Vercoe, B. L. and Puckette, M. S. (1985) "Synthetic rehearsal: Training the synthetic performer." In Proceedings of the 1985 ICMC (Simon Fraser University, Canada), p. 275-278.

Puckette, M. (1986) "Interprocess Communication and Timing in Real-Time Computer Music Performance." In Proceedings of the 1986 ICMC (The Hague, The Netherlands).

Zicarelli, D. (1987) "M and Jam Factory." Computer Music Journal, 11(4): 13-29.

Puckette, M. (1988) "The Patcher." In Proceedings of the 1988 ICMC (GMIMIK Cologne, Germany).

Puckette, M. (1990) "EXPLODE: A User Interface for Sequencing and Score Following." IRCAM online article.

Viara, E. and Puckette, M. (1990) "A Real-Time Operating System for Computer Music." In Proceedings of the ICMC (University of Glasgow, Scotland).

Freed, A., Wessel, D. and Zicarelli, D. (1991) "Max Objects for Media Integration." In Proceedings of the ICMC (McGill University, Montreal, Canada), p. 397-400.

Schultz, C. (1991) "Opcode MAX: Interactive Graphic Programming Environment (Macintosh)." Keyboard Magazine, May 1991.

Piché, J. and DesMeures, S. (1991) "MAXGen: A graphical MAX object for the generation and editing of complex continuous functions." In Proceedings of the ICMC (McGill University, Montreal, Canada).

Puckette, M. (1991) "Combining Event and Signal Processing in the Max Graphical Programming Environment." Computer Music Journal, 15(3): 68-77.

Zicarelli, D. (1991) "Communicating with meaningless numbers." Computer Music Journal, 15(4).

Puckette, M. (1991) "Something Digital." Computer Music Journal, 15(4).

Zicarelli, D. and Lee, M. A. (1992) "The Max Timeline Object." In Proceedings of the ICMC (Tokyo, Japan),
p. 453-456.

Lippe, C., Puckette, M., Settel, Z., Puig, V., and Jullien, J-P. (1993) "The IRCAM signal processing workstation and IRCAM Max user groups: future developments and platforms." In Proceedings of the ICMC (Tokyo, Japan), p. 446-448.

Desain, P. et al. (1993) "Editor's Notes: Putting Max in Perspective." Computer Music Journal, 17(2): 3-11.

Puckette, M. (1994) "Is there life after MIDI?" In Proceedings of the ICMC (DIEM, Denmark), p. 2.

Déchelle, F., de Cecco, M., Puckette, M. and Zicarelli, D. (1994) "The IRCAM "Real-Time Platform" : Evolution and Perspectives." In Proceedings of the ICMC (DIEM, Denmark).

Puckette, M. (1996) "Pure Data: another integrated computer music environment." In Proceedings of the ICMC (Hong Kong, China), p. 224-27.

Puckette, M. (1997) "Pure Data: recent progress." In Proceedings, Third Intercollege Computer Music Festival (Tokyo, Japan), p. 1-4.

Dechelle, F. et al (1998) "jMax: a new JAVA-based editing and control system for real-time musical applications." In Proceedings of the ICMC (University of Michigan, Ann Arbor, USA).

Dechelle, F et al (1998) "jMax: demonstration of an integrated environment for real-time musical applications." In Proceedings of the ICMC (University of Michigan, Ann Arbor, USA).

Zicarelli, David (1998) "An Extensible Real-Time Signal Processing Environment for Max." In Proceedings of the ICMC (University of Michigan, Ann Arbor, USA).

Wright, M., Khoury, S., Wang, R., Zicarelli, D. (1999) "Supporting the Sound Description Interchange Format in the Max/MSP Environment." In Proceedings of the ICMC (Beijing, China), p. 182-85.

Tisserand, P. (1999) "Implémentation de Modèles Physiques sous environnement temps-réel jMax." Rapport de stage, Stage de l'École ENSM de Nancy.

Tisserand, P. (1999) "Utilisation de jMax." Rapport de stage, Stage de l'École ENSM de Nancy.

Iovino, F., Schnell, N. and Lartillot, O. (1999) "Modalys in jMax: real-time modal-synthesis." In Proceedings of the ICMC (Beijing, China).

Puckette, M. (2002) "Max at Seventeen." Computer Music Journal, 26:4: 31-43.

Zicarelli, D. (2002) "How I Learned to Love a Program That Does Nothing." Computer Music Journal, 26:4: 22-51.

Zicarelli, D. (2002) "Developing Plug-ins in Max/MSP for Pluggo." San Francisco: Cycling '74.

Puckette, M. (2004) "Who Owns our Software?: A First-Person Case Study." ISEA 2004 Online Proceedings.

Puckette, M. (2006) "Computing While Composing." Preface to the OM Composer's Book. Paris: Éditions Delatour / IRCAM.

Puckette, M. (2007) The Theory and Techniques of Electronic Music. World Scientific Press.

Cipriani, A. and Giri, M. (2010) Electronic Music and Sound Design - Theory and Practice with Max/MSP - Volume 1.
Contemponet.


Anecdotal

From Cycling '74 blog:

"Freaks and Geeks." (2004, author unknown)
"Max Learns to Ride a Bike." (2005, David Zicarelli)
"Announcing Expo '74: Our First User Conference." (2008, David Zicarelli)
"Max Mathews: An Appreciation." (2011, David Zicarelli)
"Putting Max into words." (unknown interviewer, Maurizio Giri and Alessandro Cipriani)

Cycling '74 Artist Interviews