Books and Articles

Risset, Jean-Claude (1979) "Archivage numérique des sons". Rapport IRCAM, Paris: Ircam - Centre Georges-Pompidou, 23/79.

Hinkle-Turner, Elizabeth (1996) "Digital Notation Representation and Online Retrieval of Musical Information: A Discussion of Current Options and Practices". In Proceedings of the International Computer Music Conference (Hong Kong University of Science and Technology, China).

Chadabe, Joel (1997) "The Electronic Music Foundation." Organised Sound. Cambridge: Cambridge University Press, 2(1): 25-27.

Coenen, Alcedo (1997) "NEAR - The Netherlands Electro-Acoustic Repertoire Centre." Organised Sound. Cambridge: Cambridge University Press, 2(1): 19-21.

Kuny, Terry (1997) "A Digital Dark Ages? Challenges in the Preservation of Electronic Information." 63rd IFLA (International Federation of Library Associations) Council and General Conference.

Dewitt, Donald L. (1998) Going Digital: Strategies for Access, Preservation and Conversion of Collections to a Digital Format. London: Routledge.

Rothenberg, Jeff (1998) "Avoiding Technological Quicksand: Finding a Viable Technical Foundation for Digital Preservation." Council on Library and Information Resources, Washington, D.C.

Gronow, P. and Petjäjä, M. (1998) "Archives sonores numériques YLE." UER - Revue Technique. Grand-Saconnex, Suisse: Union Européene de Radio-Télévision.

Fingerhut, Michael (1999) "The IRCAM multimedia library: a digital music library." In Proceedings of Research and Technology Advances in Digital Libraries (ADL '99).

Bonardi, A., Serra, M.-H. et Fingerhut, M. (1999) "Documentation musicale et outils hypermédias." Actes du Deuxième Colloque International sur le Document Électronique (CIDE'99, Damas, Syrie). Paris: Europia Productions, p. 295-309.

Lee, Brent (2000) "Issues Surrounding the Preservation of Digital Music Documents." The Journal of the Association of Canadian Archivists, 50: 193-204.

Maple, A. and Henderson, T. (2000) "Prelude to a Digital Music Library at the Pennsylvania State University." Journal of Library Resources & Technical Services, Amercian Library Association, 44(4): 190-195.

Holcomb, Julie (2000) "Review of 'Going Digital: Strategies for Access, Preservation and Conversion of Collections to a Digital Format'". Journal of the Association for History and Computing. Ann Arbor, MI: Mpublishing, 3(1).

Jordan, Sophia K. (2000) "A Review of the Preservation Literature, 1993-1998." Journal of Library Resources & Technical Services, American Library Association, 44(1): 4-21.

Terrugi, Daniel (2001) "Preserving and Diffusing." Journal of New Music Research. Lisse: Swets and Zeitlinger, 30(4): 403-405.

Canazza, S. and Vidolin, A. (2001) "Introduction: Preserving electroacoustic music." Journal of New Music Research, Lisse: Swets and Zeitlinger, 30:4, p. 289-293.

Chen, S-S. (2001) "The Paradox of Digital Preservation." Computer [Journal]. Los Alamitos, CA: IEEE Computer Society Press, 34:3, p. 24-28.

Bainbridge, D. et al. (2001) "Digital Music Libraries - Research and Development." First ACM/IEEE-CS Joint Conference on Digital Libraries (JCDL'01). Roanoke, Virginia, p. 446-8.

Bachimont, Bruno (2001) "L'archive numérique: entre authenticité et interprétabilité." Revue Archives. Sainte-Foy, Québéc: Association des archivistes du Québéc, 32(1).

Davies, H. (2001). "The preservation of electronic musical instruments." Journal of New Music Research, 30(4): 295-302.

Duranti, Luciana (2001) "Concepts and Principles for the Management of Electronic Records." The Information Society: An International Journal. Taylor & Francis Online, 17: 1-9.

Duranti, Luciana (2001) "The Impact of Digital Technology on Archival Science." Archival Science: International Journal on Recorded Information. Springer, 1(1): 39-55.

Duranti, Luciana (2001) "The InterPARES Project." In Proceedings of the Open Seminar on Current Projects on Digital Preservation and Electronic Records (Glasgow, UK).

Duranti, Luciana (2001) "Draft Conceptual Requirements for Authenticity." In Proceedings of the Symposium "How Do You Know It's the Real Thing? (II) Authentic Records in the Electronic Age (Istituto Italiano di Cultura, Vancouver, BC).

Duranti, Luciana (2001) "Concepts, Principles and Methods for the Management of Reliable and Authentic Electronic Records Throughout Their Life Cycle." In Proceedings of the Second International Conference on Office Information System OA (OIS). CD-ROM.

Duranti, Luciana (2001) "Focus on Electronic Records: The InterPARES Project." The Association of Commonwealth Archivists and Records Managers (ACARM) Newsletter, No. 27.

Chadabe, J. (2001) "Preserving performances of electronic music." Journal of New Music Research, 30(4): 303-305.

Minibayeva, N. and Dunn, J. W. (2002) "A Digital Library Data Model for Music." In Proceedings of the 2nd ACM-IEEE-CS joint conference on digital libraries (JCDL'02). New York, NY: ACM, p. 154-155.

Lee, K. H., Slattery, O., Tang, X., Lu, R., McCrary, V. (2002) "The state of the art and practice in digital preservation." Journal of Research of the National Institute of Standards and Technology. Gaithersburg, MD: National Institute of Standards and Technology.

Brylawski, Samuel (2002) "Preservation of Digitally Recorded Sound." Building a National Strategy for Preservation: Issues in Digital Media Archiving. Washington, DC: Council on Library and Information Resources Congress.

Depocas, Alain (2002) "Préservation numérique: la stratégie documentaire." Centre de recherche et documentation, Fondation Daniel Langlois.

Blandford, A. & Stelmaszewska, H. (2002) "Usability of Musical Digital Libraries: a Multimodal Analysis." In Proceedings of the International Symposium on Musical Digital Libraries, M. Fingerhut (Ed.). Paris: IRCAM.

Bainbridge, D., Dewsnip, M. and Witten, I. (2002) "Searching Digital Music Libraries." Digital Libraries: People, Knowledge and Technology, Lecture Notes in Computer Science. Springer, 2002(2555): 129-140.

Fingerhut, Michael (2002) "Peut-on conserver indéfiniment l'information?" IRCAM online article.

Duranti, L., Eastwood, T., MacNeil, H. (2002) Preservation of the Integrity of Electronic Records. Luxembourg: Springer.

Duranti, Luciana (2002) "Merging the Old with the New: The Management of Electronic Records in Canada in Theory and in Practice." In Proceedings of the 2nd International Seminar of Archives of Hiberic Tradition (Rio de Janeiro, 2002). Rio de Janeiro: National Archives of Brazil.

Leigh, L. and Atkinson, S. (2003) "Introducing the ElectroAcoustic Resource Site." In Proceedings of the ICMC (Singapore), p. 115-118.

Bachimont, B., Blanchette, J-F., Gerzso, A., Swetland, A., Lescurieux, O., Morizet-Mahoudeaux, P., Donin, N. and Teasley, J. (2003) "Preserving interactive digital music: a report on the MUSTICA research initiative." In Proceedings of the Third International Conference on WEB Delivering of Music (WEB'03).

Depocas, A., Ippolito, J. and Jones, C. (2003) Permanence Through Change: The Variable Media Approach. Guggenheim Museum and The Daniel Langlois Foundation for Art, Science & Technology.

Donin, N, Fingerhut, M., Stiegler, B. (2003) "The IRCAM Digital Sound Archive in Context." DigiCULT.info, No. 6.

Duranti, Luciana (2003) "More Than Information, Other Than Knowledge: The Nature of Archives in the Digital Era." Cadernos BAD (Associaçao portuguesa de bibliotecarios, arquivistas e documentalistas), 2: 6-16.

Muir, Adrienne (2004) "Digital Preservation: Awareness, Responsibility and Rights Issues." Journal of Information Science, 30(1): 73-92.

Terrugi, Daniel (2004) "Can We Save Our Audio-Visual Heritage?" Ariadne [Web Magazine for Information Professionals], Issue 39.

Terrugi, Daniel (2004) "What Are We Looking For?" Computer Music Modeling and Retrieval (Lecture Notes in Computer Science). Springer, 2004(2771).

Law, D. (2004) Digital Libraries: Policy, Planning and Practice (D. Law and J. Andrews, Eds). Surrey, UK: Ashgate Pub Ltd.

Longton, Michael (2004) "General Study 04 Final Report: Survey of the Recordkeeping Practices of Composers." Online article (InterPARES 2 Project).

Puckette, Miller (2004) "New Public-Domain Realizations of Standard Pieces for Instruments and Live Electronics." In Proceedings of the International Computer Music Conference (Miami, USA).

Duranti, L. and Chabin, M-A. (2004) "La conservation à long terme des documents dynamiques et interactifs: InterPARES 2." InterPARES Online article.

Roeder, J. (2004) "Preserving authentic interactive digital artworks: case studies from the InterPARES project." In Proceedings from International Cultural Heritage Informatics Meeting ichim04 (Berlin, Germany). Toronto: Archives & Museum Informatics, CD-ROM.

Fingerhut, Michael (2004) "Bibliothèque et patrimoine sonore - la perspective de l'IRCAM." 2e Colloque colombo-français des Bibliothèques - "bibliothèques et patrimoine musical". 17e Feria internacional del libro de Bogotà (Coferias, Colombie).

Duranti, Luciana (2004) "Pour une diplomatique des documents electroniques." Bibliothèque de l'École des Chartes. Paris: École des Chartes, p. 105-125.

Duranti, L. and Blanchette, J-F. (2004) "The Authenticity of Electronic Records: The InterPARES Approach." In Proceedings of the IS&T's 2004 Archiving Conference. Springfield Virginia: Society for Imaging Science and Technology, p. 215-220.

Collective (2004) "CCA: The Archiving and Preservation of Born-Digital Art Workshop." erpanet.org (Electronic Resource Preservation and Access Network). Online article.

Duranti, Luciana (2004) "The InterPARES Project: An Overview." In Proceedings of the CODATA International Conference "The Information Society: New Horizons for Science" (Berlin, 2004). Paris: CODATA.

Duranti, Luciana (2004) "Preserving Authentic Electronic Art Over the Long-Term: The InterPARES Project." In Proceedings of the American Institute of Conservation/Electonic Media Group Conference. New York, NY: IMAP.

Duranti, Luciana (2004) "The concept of record in experiential, interactive and dynamic environments: can the InterPARES project address the ultimate archival challenge?" In Actas de VIII Congresso Nacional de bibliotecarios.arquivistas.documentalistas. Lisbon, Portugal: BAD.

Winget, Megan (2005) "Digital Preservation of New Media Through Exploration of Established Symbolic Representation Systems." Final doctoral research paper presented at JCDL 2005 Inaugural Doctoral Consortium, 7 June 2005, Denver, Colorado, USA.

Bernardini, N. and Vidolin, A. (2005) "Sustainable Live Electroacoustic Music." Sound and Music Computing Conference (XV CIM, 24-26 November 2005), Salerno, Italy.

Bosma, Hannah (2005) "Documentation and Publication of Electroacoustic Compositions at NEAR." In Proceedings of the Electroacoustic Music Studies Network International Conference EMS 05 (Montreal, QC).

Duranti, L. and Roeder, J. (2005) "La conservazione a lungo termine dell'autenticità di composizioni digitali interattive: la ricerce di InterPARES 2." Archivi e Computer. Corazzano, Italy: Titivillus Edizioni, 2005(3): 45-62.

Duranti, Luciana (2005) "The long-term preservation of accurate and authentic digital data: the InterPARES Project." Data Science Journal. Japan: CODATA, 2005(4): 106-118.

Duranti, Luciana (2005) "The Concept of Record Revealed by the InterPARES Case Studies." In Proceedings of the Symposium "Finding Pathways for Preserving Authentic Digital Objects". The Hague: Nationaal Archief.

Duranti, Luciana (ed.) (2005) The Long-term Preservation of Authentic Electronic Records: Findings of the InterPARES Project. San Miniato, Italy: Archilab.

Gladney, H.M. (2006) "Principles for Digital Preservation". Communications of the ACM - Next-generation cyber forensics, 49(2): 111-116.

Borghoff, U. M., Rödig, P., Scheffczyk, J., Schmitz, L. (2006) Long-term Preservation of Digital Documents: Principles and Practices . Springer.

Terrugi, Daniel (2006) "Is there a right way to deal with rights?" Organised Sound. Cambridge: Cambridge Press, 11(3): 205-7.

Roeder, J. (2006) "Preserving Authentic Electroacoustic Music: the InterPARES Project." In Proceedings of the IAMLIASA Congress 2006 (Oslo, Norway).

Lee, Brent (2006) "Issues Surrounding the Preservation of Digital Music Documents." Online article.

Emmerson, S. (2006). "In what form can ‘live electronic music' live on?" Organised Sound, 11(3): 209-221.

Duranti, L. and Thibodeau, K. (2006) "The Concept of Record in Interactive, Experiential and Dynamic Environments: the View of InterPARES." Archival Science: International Journal on Recorded Information. Springer, 6(1): 13-68.

Duranti, Luciana (2006) "La questione fondamentale: in quali entita' digitali si concreta la memoria del futuro?" Archivi e Computer. Corazzano, Italy: Titivillus Edizioni, 2006(1): 24-31.

Duranti, Luciana (2006) "Verso InterPARES 3: Un'alleanza di ricerca tra comunità e università." Il Mondo degli Archivi on Line 2.

Becker, C., Kolar, G., Küng, J. and Rauber, A. (2007) "Preserving Interactive Multimedia Art: A Case Study in Preservation Planning." Lecture Notes in Computer Science. Springer, 2007(4822): 257-266.

Rinehart, Richard. (2007) "The Media Art Notation System: Documenting and Preserving Digital/Media Art." Leonardo online.

Barthelémy, Jérôme (2007) "Préservation de données numériques: le cas de la production artistique contemporaine." Online article.

Duranti, Luciana (2007) "An Overview of InterPARES 3 (2007-2012)." Archives & Social Studies: A Journal of Interdisciplinary Research, 1-2: 577-603.

Duranti, Luciana (2007) "The InterPARES 2 Project: An Overview." Archivaria. Ottawa: Association of Canadian Archivists, 64: 113-121.

Duranti, Luciana (2007). "The InterPARES Framework for the Development of Policies, Strategies and Standards." Cultural Heritage on Line: The Challenge of Accessibility and Preservation, Fondazione Rinascimento Digitale e Associazione Civita, p. 109-126.

Ng, K., Mikroyannidis, A., Ong, B., Giaretta, D. (2008) "Preservation of interactive multimedia performances." International Journal of Metadata, Semantics and Ontologies, 3(3): 183-196.

Esposito, N. (2008) "Long-term preservation of acousmatic works: Toward a generic model of description." In Proceedings of the Electrotechnical Conference (2008) [also Proceedings of MELECON 2008 and Proceedings of the 14th IEEE Mediterranean].

Bonardi, A. and Barthélémy, J. (2008) "The preservation, emulation, migration, and virtualization of live electronics for performing arts: An overview of musical and technical issues." Journal on Computing and Cultural Heritage (JOCCH), 1(1).

Ng, K., Mikroyannidis, A., Ong, B., Giaretta, D. (2008) "Practicing Ontology Modeling for Preservation of Interactive Multimedia Performances." AXMEDIS '08 International Conference Proceedings (Automated solutions for Cross Media Content and Multi-Channel Distribution).

Guercio, M., Barthélemy, J. and Bonardi, A. (2008) "Authenticity Issue in Performing Arts using Live Electronics." Online article.

Bonardi, A., Barthélemy, J., Boutard, G. and Ciavarella, R. 2(008) "Préservation de processus temps réel: Vers un document numérique." Document numérique, Éditions Lavoisier, 11(3-4): 59-80.

Downie, J. S., West, K. and Hu, X. (2008) "Dynamic classification explorer for music digital libraries." In Proceedings of the 8th ACM/IEEE-CS joint conference on Digital Libraries. New York, NY: ACM, p. 422.

Bonardi, A. and Barthélemy, J. (2008) "Le patch comme document numérique: support de création et de constitution de connaissances pour les arts de la performance." Online paper.

lanza, alcides (2008) "EMS Archival Project - Montréal: McGill University - Schulich School of Music." eContact! 10.x - Projet d'archivage Concordia (PAC) / Concordia Archival Project (CAP).

Roeder, J., Eppard, P., Underwood, W., Lauriault, T. P. (2008) "Part Three - Authenticity, Reliability and Accuracy of Digital Records in the Artistic, Scientific and Governmental Sectors: Domain 2 Task Force Report." International Research on Permanent Authentic Records in Electronic Systems (InterPARES 2): Experiential, Interactive and Dynamic Records. Padova, Italy: Associazione Nazionale Archivistica Italiana, p. 139-186.

Bonardi, A., Barthélemy, J., Ciavarella, R. and Boutard, G. (2008) "Will Software Modules for Performing Arts be Sustainable?" IRCAM online article.

Fingerhut, Michael (2008) "La Portail de la musique contemporaine: http://www.musiquecontemporaine.fr". IRCAM online article.

Duranti, L. and Preston, R. (eds.) (2008) InterPARES 2: Interactive, Dynamic and Experiential Records. Padova, Italy: ANAI.

Ng, K. Pham, T.V., Ong, B., Mikroyannidis, A., Giaretta, D. (2009) "Ontology for Preservation of Interactive Multimedia Performances." Metadata and Semantics, Part 1 (Miguel-Angel Sicilia and D. Miltiadis, Eds). Springer.

Damm, D., Kurth, F., Fremerey, C. and Clausen, M. (2009) "A Concept for Using Combined Multimodal Queries in Digital Music Libraries." Research and Advanced Technology for Digital Libraries (Lecture Notes in Computer Science). Springer, 2009(5714).

Terrugi, Daniel (2009) "PrestoPRIME: Keeping Digital Content Alive." In Proceedings of Cultural Heritage Online Empowering Users: An Active Role for User Communities. Florence, Italy: Firenze University Press, p. 157-8.

Terrugi, Daniel. (2009) "Ethics of Preservation." In Proceedings of Cultural Heritage Online Empowering Users: An Active Role for User Communities. Florence, Italy: Firenze University Press, p. 12-15.

Collective (2009) Archivage numérique à long terme: les débuts de la maturité? La Documentation française [Éditeur].

Witten, I., Bainbridge, D. and Nichols, D.M. (2009) How to Build a Digital Library, Second Edition (The Morgan Kaufman Series in Multimedia Information Systems). Morgan Kaufman.

Roeder, John (2009) "Archivists meet Artists: InterPARES Insights into Authenticity." Art, Conservation, and Authenticities: Material, Concept, Context (eds. Erma Hermens and Tina Fiske). London: Archetype Publications, p. 227-234.

Duranti, Luciana (2009) "The Findings of InterPARES." In Proceedings of the Seminario Internacional de Archivos y Documentos Eletronicos. Bogota, Columbia: Universidad La Salle.

Austin, K. (2009) "The Concordia Collection as a Primary Research Source." eContact! 10.x.

Verheul, I., Tammaro, A.M. and S. Witt (Eds) (2010) Digital Library Futures: User Perspectives and Institutional Strategies. The Hague, The Netherlands: IFLA Publications.

Terrugi, Daniel (2010) "Who are the Users of Digital Libraries, What do they Expect and Want?: The European Experience." Digital Library Futures: User Perspectives and Institutional Strategies (Verheul, I. Tammaro, A. M. and S. Witt (Eds), The Hague, The Netherlands: IFLA Publications.

Vincent, Antoine (2010) "Préservation d'oeuvres musicales: Étude du processus de production." Mémoire de Master, Université de Technologies de Compiègne, France.

Margounakis, D. and Dionysios, P. (2010) "Implementation and Interaction Issues in Digital Music Libraries." WSEAS Transactions (World Scientific and Engineering Academy and Society), 2(9).

Duranti, Luciana (2010) "Long-term Preservation of Digital Heritage." In Proceedings of Cultural Heritage online: Empowering users: an active role for user communities. Florence, Italy, Fondazione Rinascimento Digitale, p. 17-20.

Giaretta, David. (2011) Advanced Digital Preservation. Springer.

Norberg, Brian (2011) "Review of Digital Library Futures: User Perspectives and Institutional Strategies." Library Resources & Technical Services, American Library Association, 55(4).

Neveux, Janou (2011) "Musique numérique en bibliothèque." Bulletin des Bibliothèques de France (bbf:), t. 56, no. 5.

Vincent, A., Bachimont, B. and Bonardi, A. (2012) "Modéliser les processus de création de la musique avec dispositif numérique: représenter pour rejouer et préserver les œuvres contemporaines". 23es Journées francophones d'ingénierie des connaissances, Paris.

Boutard, G. and Guastavino, C. (2012) "Archiving electroacoustic and mixed music: significant knowledge involved in the creative process of works with spatialisation." Journal of Documentation. Emerald Group Publishing, 68(6): 749-771.


Dedicated Journal Issues

Archive Journal - Issue 2 (2012): Undergraduates in the Archives (360 Analysis and Discussion in the Round).

International Journal on Digital Libraries, Springer, Vol. 12, no. 2-3 (2012): Focused Issue on Music Digital Libraries.

Orio, N., Rauber, A. and Rizo, D. 2012. "Introduction to the Focused Issue on Music DLs." p. 51-52.
Chan, J. W-T., Illiopoulos, C., Michalakopoulos, S. and M.S. Rahman. 2012. "Exact and approximate rhythm matching algorithms." p. 149-158.
Strle, G. and Marott, M. 2012. "The EthnoMuse digital library: conceptual representation and annotation of ethnomusicological materials." p. 105-119.
Canazza, Sergio. 2012. "The digital curation of ethnic music audtio archives: from preservation to restoration: Preserving a multicultural society." p. 121-135.
Inskip, C., Macfarlane, A. and Rafferty, P. 2012. "Towards the disintermediation of creative music search: analysing queries to determine important facets." p. 137-147.
Rigaux, P., Abrouk, L., Audéon, H., Cullot, N., Davy-Rigaux, C., et al. 2012. "The design and implementation of NEUMA, a collaborative Digital Scores Library: Requirements, architecture, and models." p. 73-88
Bainbridge, D., Novak, B.J., and Cunningham, S. J. 2012. "A spatial hypertext-based, personal digital library for capturing and organizing musical moments." p. 89-103.
Damm, D., Fremerey, C., Thomas, V., Clausen, M., Kurth, F. and Miller, M. 2012. "A digital library framework for heterogeneous music collections: from document acquisition to cross-modal interaction." p. 53-71.

Revue Francophone Informatique Musicale (no. 2 - automne 2012)

Barthélemy, J. and Terrugi, D. 2012. "Préservation du patrimoine numérique: manifeste pour la création d'un réseau de compétences."
Barkati, K., Orlarey, Y. et J. Barthélemy. 2012. "Abstraction du processus temps réel: une stratégie pour la préservation à long terme."
Vincent, A., Bonardi, A., et F. Rousseaux. 2012. "Modéliser et représenter la création audio-numérique pour la pérenniser."
Quinquenel, Jean-Pierre. 2012. "Diffuser, distribuer, bloguer pour préserver: le cas de SuperCollider."

Organised Sound, Cambridge: Cambridge University Press, Vol 9, no. 1, 2004

Atkinson, S. and Landy, L. 2004. "The ElectroAcoustic Resource Site (EARS): Philosophy, foundation and aspirations." p. 79-85.
Ramel, Sylvie. 2004. "Conservation and Restoration of Electroacoustic Musical Instruments at the Musée de Paris." p. 87-90.
Terrugi, Daniel. 2004. "Electroacoustic Preservation Projects: How to move forward." p. 55-62.
Battier, Marc. 2004. "Electroacoustic music studies and the danger of loss." p. 47-53.

Horizon 0, Issue 18: (online Journal of Digital Art + Culture, Banff Centre, 2004): Ghost: Archive, evolution, entropy

Depocas, Alain. 2004. "Variable and Unstable: Preserving and Documenting our Digital Art Heritage."
Jones, Caitlin. 2004. "Does Hardware Dictate Meaning? : Three Variable Media Conservation Case Studies."
Sterling, Bruce. 2004. "Built on Digital Sand: A Media Archaeologist Digs the Lonely Shores of Binary Obsolescence."
Fischer, Hervé. 2004. "Digital Amnesiacs: Thoughts on the Sophisticated Fragility of Digitized Memory."


Research Projects / Resources:

InterPARES (International Research on Permanent Authentic Records in Electronic Systems) 2001-2012.
InterPARES 1
InterPARES 2 Project Publications
InterPARES 3 Project Publications

DOCAM (Documentation and Conservation of Media Arts Heritage) 2005-2010.

CASPAR (Cultural, Artistic and Scientific Knowledge for Preservation, Access and Retrieval) 2006-2009.

erpanet.org (Electronic Resource Preservation and Access Network) 2004?

Additional

Bibliomus
Un service de conseil pour la conservation et la valorisation numériques de patrimoine culturel.

culture-acte 2
Espace participatif de la mission de concertation sur les contenus culturels et pratiques numériques.